Dziga Vertov’s editing diagram for Man with a Movie Camera (1929), the Hair salon sequence. Blue boxes describe shot contents, the red line between them visualizes the rhythmic quality of editing (“intervals,” in Vertov’s parlance).

Kurt Kren’s shot plan for Mom and Dad  (1964) and his editing diagram for Self-mutilation (1965)

Kurt Kren’s shot plan for the film September 20th  (1967)

Kurt Kren’s color charts for Asylum (1975)